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Leni Riefenstahl Bibliography

 Books by or about Leni Riefenstahl: (in English) (starting effort, not definitive) Bach, Stephen. Leni: The Life and Work of Leni Riefenstahl . Knopf, 2007. Berg-Pan, Renata. Leni Riefenstahl . Cengage, 1980. De Lafayette, Maximillien. Leni Riefenstahl’s Last Words about Hitler, Goebbels, Nazis and the     Jews . Lulu, 2014. Droznes, Lazaro. Denazifying Leni . Independent, 2018. Graham, Cooper. Leni Riefenstahl and Olympia . Scarecrow Press, 1986. Hinton, David B. Films of Leni Riefenstahl . Scarecrow Press, 1978, 2000. Infield, Glenn. Leni Riefenstahl: The Fallen Film Goddess . Crowell, 1976. Passfield, John. Leni Riefenstahl: The Valley of the Shadow . Createspace, 2015. Riefenstahl, Leni. Leni Riefenstahl: A Memoir . Picador, 1995. Riefenstahl, Leni. Coral Gardens . Harper Collins, 1978. Riefenstahl, Leni. Behind the Scenes of the National Party Convention Film . International Historic Film, 2015. Trans. of “Hinter den Kulissen des Reichsparteitag Film) Riefenstahl, Leni. The Las
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Paul Schultze-Naumburg Bibliography

 One of the great Art writers and theorists of "anti-modernism" was Paul Schultze-Naumburg. He wrote in the early 1900's on German houses and architecture, and finished his career with the highly influential "Folk and Race", and "Nordic Beauty". I've just whipped out a bare bones bibliography here. Many of the 1900-1933 books are widely available quite cheaply. I have a copy of the more rare "Volk und Rasse", and will attempt a translation at some point in time.  Schultze-Naumburg, Paul.  Kunst und Kunstpflege.  Jena: Diederichs, 1901. Schultze-Naumburg, Paul.  Häusliche Kunstpflege.  Jena: Diederichs, 1902. Schultze-Naumburg, Paul.  Kulturarbeiten, Band 1: Hausbau.  München: Georg D. W. Callwey, 1906. Schultze-Naumburg, Paul.  Kulturarbeiten, Band 2: Gärten.  München: Georg D. W. Callwey, 1904. Schultze-Naumburg, Paul.  Kulturarbeiten, Band 3: Dörfer und Kolonien.  München: Georg D. W.                        Callwey, 1908. Schultze-Naumb
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Friedrich Burgdorfer Essays, Week 1

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Friedrich Burgdorfer, Das Haus der Deutschen Kunst 1937-44, Book 1   This statement, which was coined by Adolf Hitler and which he placed over the entrance to the House of German Art, already shows the high importance that was attached to art in the Third Reich. The National Socialists regarded the government takeover of 1933 as a cultural revolution, with which the basis for "a new and true German art" was laid. This new German art was to bring about a fundamental turning point in the entire cultural life of the nation, "the greatness of the new German era born out of blood and soil, out of National Socialist attitudes and worldview", to give expression and be "the cultural basis for the first essentially German nation state for the centuries to come ".   Since the creation of art in the Third Reich as an expression of national culture was subject to the authoritarian framework and demands of the political system, the art created during th
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Arndt Verlag and Das Haus Der Deutschen Kunst

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 All material in this blog is presented for the purpose of scholarly research only. One inspiration in my exploration of great art of the 20th century has been Arndt Verlag's Das Haus Der Deutschen Kunst 3-volume series of coffee table books. These hardcovers on The House of German Art are indispensable, and filled with beautiful full-page color reproductions. The text is in German, and consists of lengthy essays by Friedrich Burgdorfer. I do not read or write German, but I can type quickly and use Google translate. I will do my best to make these essays accessible to the English speaking audience. Please however purchase these books if at all possible, as the more money the publisher makes, the more likely they are to put out related material. Anyone who actually knows German and can do a better job fixing up some of the phrases, please do so, I would certainly appreciate it! I think the meaning comes through well enough. You can purchase the books here: Lesen &
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